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Frey: Shadow

“Raw breakbeat chops and growling basslines are a constant on Frey’s Shadow” Over the past five years, Cragie Knowes have released many different shades of dance
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Lazarus: Downwards

“Four tomes of Berghain soldered techno that come crashing into the end of summer like golf-ball sized hail walking out of Friedrichshain station” There isn’t a
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Actress: 88

“What’s actually very cheeky about ’88’ is that it’s impractical, absorbing and comparatively unhinged” Abruptly announced, concealed behind a secret password, and packaged in an odd-sized
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KMRU: Peel

“Peel is the kind of album that lifts back the veil of the corporeal world” Ambient music has to be one of the natural winners of
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Romare: Home

“We are privy to the clicks and squeaks of Romare’s fingers pushing the organ buttons, and this sets the agenda for the album as a whole:
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SW.: Night

“SW. latest mini-album sees him chasing the more experimental butterflies that float through the greenhouse of his sonic palette” After a period of relative quiet, SUED
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Shinichi Atobe: Yes

“The warm and ethereal music on ‘Yes’ still bears the stamp of a singular producer, as always, doing things on his own terms” It’s likely that
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Anunaku & DJ Plead: 032

“The slippery rhythms, pummelling bass, and ear-worm melodies on this record are yet another entry into a growing archive of new forms that are growing out
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